All unknow artist 's Paintings

The Painting Names Are Sorted From A to Z
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Choice	ID	Image	Painting (From A to Z)	Details
	43441		The Conversion process	mk172 Some believed that it was better to gradually convert the indians in order to guaarantee their grasp of the Catholic religion-s basic principles,while others favored mass baptisms.
	42824		The Coronation of the Virgin	mk170 1370-1371 206.5x113.5cm
	52683		The Coronation of the Virgin	1645 Oil on canvas, 178 x 135 cm
	41778		The Council of Nicaea i,Melkite icon from the 17 century	mk165
	78520		The Count Potocki and his sons	1790(1790) Oil on canvas 138 x 119 cm (54.3 x 46.9 in) cjr
	78706		The Count Potocki and his sons	1790(1790) Oil on canvas 138 x 119 cm (54.3 x 46.9 in) cjr
	52682		The Count-Duke of Olivares on Horseback 1634	1634 Oil on canvas, 314 x 240 cm
	39375		The creation the separation of light and darkness	mk148 Mosaic in the St.-Markus-Basilika.Venedig(12.-13.Jh.).Es shows an angel as a mediator of the divine commands in accordance with 2 Henoch and other nichtkanonischen texts.
	34216		The Crescent moon turned downwards	mk90 Detail from Nizami s Shade Welcomes the Poets jami and Mir Ali Sher Nawa in the Dream Garden
	41779		The Cross Raised on Three Levels	mk165 Half-dome of the sanctuary apse Saint irenen Basilica Constantinople
	27434		The crucifixion	mk56 oil on panel,the reverse stamped with the brand of the Antwerp panelmaker s Guild,and a panel maker s mark
	29916		The Crucifixion	mk67 Oil on panel 22 7/16x18 1/2in Uffizi,Gallery
	41797		The Crucifixion	mk165 National Museum of History and Ethnography of Svanetia
	41823		The Crucifixion	mk165 Byzantine Museum Athens
	41824		The Crucifixion	mk165 Church of the Virgin Peribleptos of Ohrid
	41861		The Crucifixion	mk165 c.1500 Egg tempera on lime tree panel 85x52cm
	44843		The Crucifixion	mk176 c.1420-25 canvas transferred from panel
	41772		The Crucifixion and Saints in Medallions	mk165 Saint Catherine Monastery Mount Sinai Egypt
	40146		The Crucifixion of Christ	mk156 c.1340 Tempera on panel 76x29.5cm
	39430		The crucifixion with scenes of the suffering Christs	mk148 Toskanische school Italy over 1175.
	42938		The Crucifixion,Christ Led from the Praetorium,the Descent from the Cross	mk170 Circa 1510 Oil on oak central 98.2x105cm
	73190		The Customs Cabin	Oil painting reproduction of Ferdinand du Puigaudeau. cjr
	43389		The cut in Toledo in 1528	mk171 the New Espana remained incorporated al empire by means of the trophies of war
	64397		The Dauphin	16 x 13 cm Koninklijk Museum voor Schone Kunsten, Antwerp The court painter Jean Clouet's royal child belongs to the tradition of courtly painting. It is a little stiff, and rather idealises its subject with a great deal of attention to external decoration. A chalk study for this little portrait, in its fine, antique style frame in imitation marble, is now kept in the museum at Chantilly. Artist:CLOUET, Jean Title: The Dauphin Fran?ois, Son of Fran?ois I, 1501-1550, French , painting , portrait
	63041		The Dead Icarus	1743 Marble Musee du Louvre, Paris The Icarus is a brilliant piece of drama, in one way an academically respectable study of the nude, in another highly picturesque. The almost pretty handling of the long feathers of the wings and the loops of ribbon is counteracted by the starkly dramatic pose of the broken body, whose flotsam-like character is conveyed by its being supported on the crest of a wave. It is raised only to be about to fall again; and already the water draws away in foam at the lower right. While remaining elegant, the piece yet manages to convey a sense of shock; in its effect it is not so much Rococo as romantic. Artist: SLODTZ, Paul-Ambroise Painting Title: The Dead Icarus , 1701-1750 Painting Style: French , sculpture Type: mythological
	27364		The Death of adonis	mk56 oil on canvas,unframed Alvise Benfatti,called dal Friso
	71797		The Death of Czarniecki.	1860(1860) Oil painting 102 x 63 cm (40.16 x 24.8 in)
	42687		The death of Imayat Chan	MK169 ca. 1618 Paint on paper 12.5x15.3cm Cura-tower of the Bodleian Library. Oxford
	30444		The Death of Majnun on Layla's Grave,from the khamsa by Nazami	mk68 Manuscript illustration London,British Library
	41234		The Death of Sarpedon	mk161
	91828		The death of Simon Magus	1493(1493) Medium oil on canvas cjr
	62826		The Death of Socrates	1787 Oil on canvas, 98 x 133 cm Statens Museum fur Kunst, Copenhagen Peyron's The Death of Socrates, commissioned by d'Angiviller for the Crown, was in competition with Jacques-Louis David's work of the same subject. David's confidence in surpassing his rival, coupled with his aggressive and ambitious nature, make it very possible that he chose to paint his own Socrates when he learned of Peyron's plans. The force and clarity of David's version was thrown into even sharper relief by the lack of drama and focus in Peyron's work, and both the public and critics declared David's work to be far superior. David eclipsed his long-time rival once and for all, and from then on Peyron had to be content with a subordinate role in the art world
	63077		The Death of St Agnes	1660-64 Marble, over life-size Sant'Agnese in Agone, Rome Ferrata's high altar sculpture, representing St Agnes on the pyre, bears unmistakable, though not entirely reconciled, elements drawn from Algardi and Bernini. The saint's pose is indebted to one of Algardi's most emotive works, the St Mary Magdalene, but the head and drapery are more classically correct. These elements are overlaid by two touches worthy of Bernini: the fire at St Agnes's feet and the drapery billowing out for no apparent reason behind her shoulders. The result is a work whose impact is weakened by overly theatrical gestures. Artist: FERRATA, Ercole Painting Title: The Death of St Agnes , 1601-1650 Painting Style: Italian , sculpture Type: religious
	63044		The Death of St Stanislas Kostka	1705 Marble Sant'Andrea al Quirinale, Rome Le Gros' artistic makeup was such a successful synthesis of Italian and French elements that he never lacked work; his commissions, however, frequently embodied retardataire taste, none more so than the extraordinary multicolored St Stanislaus Kostka on his Deathbed. Here Le Gros'work looks back to the tradition of ecstatic or dying saints created by Bernini and Caffa, but instead of a white marble figure set off by coloured marbles, colour forms an integral part of Le Gros' work: black touchstone for the Jesuit habit, Sicilian jasper and yellow marble for the bedding, and gilt bronze for the fringe. The saints hands, feet and head are carved from white Carrara marble, with the hair left rough and unpolished and the nails and eyes delicately incised. The work's purpose was to shock visitors entering the room where the young man once lived, by conveying the impression of someone actually dying, and the Jesuits resisted Le Gros' attempts to have the sculpture moved from their novitiate to the church of Sant'Andrea al Quirinale, largely because of its effectiveness in its intended setting. Artist: LE GROS, Pierre Painting Title: The Death of St Stanislas Kostka , 1651-1700 Painting Style: French , , religious
	39406		The death of the Jesaja	mk148 French Bible of 1526. A version of the legend purported that Jesaja apart saws became (vgl. Hebr 11,37),während it in a tree hid itself
	38393		The Death of the Virgin	1490s Panel transferred to canvas, 212 x 113 cm Museo del Prado, Madrid
	74307		The Death of Willem Barentsz	1836 oil on canvas 990 x 1333 mm cjr
	41891		The Decollation of Saint John the Baptist	mk165 Ico musuem Recklinghausen Germany
	43391		The degollamiento of the espanoles or a tzompantili pro-Indian of 1898	mk171 the revenge before the invader
	79165		The Delft City Wall with the Houttuinen	ca. 1650(1650) Oil on canvas Width: 76 cm (29.9 in). Height: 53 cm (20.9 in). cjr
	71824		The Departure	The Departure: An Episode of the Child's Crusade 12th Century oil on canvas private collection
	42951		The Deposition	mk170 1500-1505 Oil on oak 74.9x47.3cm
	79726		The Deposition	The Deposition" oil on Canvas. cjr
	86758		The Deposition	Date 1470s Medium Oil on oak panel Dimensions Height: 129 cm (50.8 in). Width: 95 cm (37.4 in). cjr
	86778		The Deposition	Date c. 1460(1460) Medium Oil on oak panel Dimensions Height: 57 cm (22.4 in). Width: 52 cm (20.5 in). cjr
	41825		THe Descent from the Cross	mk165 91x62cm
	42556		The descent of the Course, Mahabalipuram	MK169 detail 6e-7e century n. Chr
	41991		The descent of the Espiritu Holy, of Heures to l-usage of Rome	mk166 Between ends of the 14th century and principles of the XVI Manuscript visionary Paris
	27577		The Destruction of troy	mk56 oil on panel,circular,in an engaged frame Cicle of Monsu Desiderio
	80345		The Dismayed Artist	The painting 'The Dismayed Artist' by Frederick Daniel Hardy. Oil on canvas, 1866. cjr
	71022		The distant Princess	1899 Oil on canvas
	41396		The Ditchley Portrait of Queen Elizabeth	mk160 c.1592
	79810		The Dock Facing the Doge's Palace	Oil on canvas, 73.4 x 117.4 cm Date 1720s cjr
	41872		The Dormition	mk165 113x81cm The State Tretyakov Gallery Moscow
	39391		The dream Jakobs	mk148 Painting cut in the gate cello-cathedral, Venice. leader next to the sleeping Jakob, on which angels up-and descend
	42546		The Dream of Maya and the Birth of Buddha, plate at the basement of the stupa of Amaravati	MK169 india ca. 200 n. Chr. White marble 160x97.8cm
	78072		The Dubufe Family in 1820.	1820(1820) Oil on canvas 64 x 84 cm (25.2 x 33.1 in) cjr
	64349		the duc de bordeaux and his sister	1821 versailles, museum
	41367		The earliest painting of London	mk160
	76028		the Edge of a Wood	the Edge of a Wood. en:1885. en:John Singer Sargent. Oil on canvas. 54.0 x 64.8 cm. en:Tate Gallery, en:London. cyf
	31768		The Education of the virgin	mk76 Painted c.1650 Oil on canvs 33x39 1/2in
	75892		The Education of the Virgin	The Education of the Virgin, oil on canvas painting attributed to Diego Velazquez, ca. 1617?C18, Yale University Art Gallery. cjr
	43417		The effects of the tappet or the return al refuge of the warrior.	mk171
78060		The Elector's family	1772(1772) Oil on canvas cjr
30363		The Emperor justinian and his Court	mk68 Mosaic Ravenna Church of San Vitale c.547
48799		The empire men bord.Lasarustavlan Okand artist	mk187 1583 Oil slick pa tra 72x72cm
48787		The Empire men table	mk187 Okand artist 1583 Olije farg pa tra 72x72cm Mariakyrkan,Helsingborg
78469		The Empress Dona Margarita de Austria in Mourning Dress	1666(1666) Medium Oil on canvas Dimensions 209 x 147 cm (82.3 x 57.9 in) cyf
30364		The Empress Theodora and Her Court	mk68 Mosaic Ravenna Church of San Vitale c.547 Italy
49601		The enogde Oden with sina tva korpar,Hugin and Munin mk202	mk202
40975		The Entombment	mk159 1480s Tempera and oil on panel 94x182cm
40967		The Entry into Jerusalem	mk159 Tempera on panel 116.5X51.5cm
41862		The Entry into Jerusalem	mk165 Moscow 71x56cm The State Tretyakov Gallery Moscow
29168		The Entry of Christ into Jerusalem	mk65 Oil on canvas 46x20"
76734		The Eruption of Vesuvius	The Eruption of Vesuvius, oil on canvas painting by Johan Christian Dahl, 1824, private collection. cjr
73183		The Fair at Pont-Aven	Oil painting reproduction of Ferdinand du Puigaudeau. cjr
52672		The Family of El Greco	c. 1605 Oil on canvas, 97 x 51,5 cm
48408		The Family of Henry Viii	mk190 c.1545
90813		The Family of Philip V	1743(1743) Medium oil on canvas cjr
76864		The family of the Duke of Penthievre	1768(1768) Oil on canvas 176 ?? 256 cm (69.3 ?? 100.8 in) cjr
79973		The family of the Duke of Penthievre	1768(1768) Medium Oil on canvas Dimensions 176 x 256 cm (69.3 x 100.8 in) cyf
41395		The Famous Hilliard miniature usually described as A Young Man among roses	mk160 he has a closed ruff and a cloak over one shoulder
49705		The fanns yet exception which underline of that picture stamp 1588 of Cornelis Claesz motor van Wieringen	mk203 Pinassen,som anvandes in Spanish navy wonder Branch Ii.
88490		The Feast of Trotters	oil on canvas, 53.5 x 76 cm. Date mid 18th century cjr
43396		The fever of the gold or the interrogations of Coyoacan	mk171
64924		The Fight between David and Goliath	1123 Mural, 82 x 75 cm Museu Nacional d'Art de Catalunya, Barcelona This mural, removed from the wall of the church of Santa Maria at Tahull, is one of the most famous surviving examples of Catalonian Romanesque painting. The artist of this painting is referred to as the Master of Tahull. The rigid hieratic saints or Christs enthroned seen in earlier works are here replaced by a vivid and expressive representation of the fight between young David and the champion Goliath, who is depicted in chain armour and armed with a spear and shield. When the fresco was first made it included a scene in which David and Goliath were depicted side by side, David using his sling and Goliath slain by the stone. These details have been damaged beyond restoration and there remains only this scene in which David beheads Goliath. Here too the colours have faded in the course of centuries. In the Romanesque fresco we see the decorative manner of representation characteristic of the Mozarabic miniatures, that is to say, the fight is not shown as taking place in any particular landscape setting, but is depicted against a background divided horizontally by lines similar to the fesses of a heraldic escutcheon. There is also some of the crudeness seen in miniatures, for example, the exaggerated size of the hands. But the fresco represents a conscientious effort to depict the story with great accuracy, for these murals served not only to decorate the church but also to instruct the people in Biblical history. The artist clearly attempted to give the faces of David and Goliath certain individual features, introducing also such realistic details as the carrion bird beside the body, the lively drapery of the cloak and the Jewish cap on David's head. The fresco dates from a period when the fight between David and Goliath was thought of as an Old Testament manifestation of the struggle between Christ and Satan. , UNKNOWN MASTER, Spanish , The Fight between David and Goliath , 1101-1150 , Spanish , painting , religious
49236		The Fight for the Standard	mk195 1865 Oil on canvas 26x21
43479		The Figure of Christ	mk172 crucified was intensely exploited by Asian ivory artisans
75682		the first President of the United States which took place on April 30, 1789.	Oil painting of George Washington's inauguration as the first President of the United States which took place on April 30, 1789. cyf
72011		The First Sense of Coquetry	1804
79292		The first settlers discover Buckley	The first settlers discover Buckley, painting, oil on canvas, 62.5 x 95.5 cm, by Frederick William Woodhouse Date 1861(1861) cjr
79996		The First Tear	1884(1884) Oil on canvas cjr
27352		The Five Seneses	mk56 Studion of Jan Brueghel the Elder Studion of Frans Francken the Younger Oil on panel,in a carved and gilt wood frame
49612		The fjattrade Fenrisulven,en of Lokes son	mk202
27521		The flagellation	mk56 a pair,both oil on panel
79301		The flood in the Darling,	The flood in the Darling, 1890, painting, oil on canvas, 122.5 x 199.3 cm, by William Charles Piguenit Date 1895(1895) cjr
79407		The Flood on the Darling River	The Flood on the Darling River, New South Wales, painting, oil on canvas, 76.5 x 126.0 cm, by William Charles Piguenit Date 1890(1890) cjr
48519		The flower garden at Liancourt	mk190 1654
76682		The Flower Seller	??The Flower Seller??, oil on canvas cjr
57433		the flowering of baroque music	mk257 the sense of heaing represented allegorically as domestic music-making in this seventeenth-century french painting.

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